Showing posts with label Juhi Chawla. Show all posts
Showing posts with label Juhi Chawla. Show all posts

Rose Petals! Rain! Rishi!...Chandni (1989)

Maybe there's hope for me and Yash Chopra after all.

There was so much rain in Chandni!



Chandni. My Chandni! How skeptical I was about you and how you managed to be just what the doctor ordered after an exhausting (yet fun) day of trekking around town with two bouncy preschool girls...Yash-ji, how did you know that at the end of the day, what I'd really,really need would be a handful of rosepetal showers and a couple of dances in the rain?

It started as everything the DVD jacket claimed it would be: "Softly lyrical, throbbingly beautiful". While I personally wouldn't categorize all Yash Chopra romances that way, the music and imagery were just that. Chandni (Sridevi, rapidly climbing the scales of my heart), meets Rohit (Rishi Kapoor, in some serious sweaters!), and the two fall in love. Rohit worships the ground Chandni walks on, showering her with rose petals and even putting up an almost-shrine to her in his bedroom (See below--In a Lifetime movie, this would be called stalking, but Chandni doesn't seem to mind). You know the drill--it starts off so perfect, something terrible, horrible, tragic is just bound to happen, right?

Of course!


Bollywood Hero or Obsessive Fan?? Oh, right...Bollywood Hero.



But let me point out before going there that, while it sounds like the same ol' song and dance, Rohit and Chandni's romance wasn't nearly as boring and redundant as I expected it to be. In fact, it was pretty gosh darned entertaining, thanks mostly to Sridevi's ability to maneuver from being whimsically playful to full of panache. And though at first I was put off by how much Rishi had aged in the seven years since Yeh Vaada Raha, sooner or later I found him teddy bearishly cute with more than a few traces of chocolate left in his hero box. Apparently Chandni agreed with me--she even made a fat joke to his face!


Gee, Chandni, I know this isn't the most flattering sweater Rishi's ever worn, but...did you really have to call him fat?



Ordinarily, I find fat jokes offensive and rude, and I hate that they're so often used in Hindi films. But for some reason, it didn't bother me here; To me, it showed how comfortable Rohit and Chandni were with one another (and proved Rishi must have had a sense of humor about his weight gain).

Of course, the couple wasn't without their share of problems. For one, Rohit's high class family despised Chandni from the beginning. They felt she wasn't good enough to enter their home as a bride, and told Rohit so without any reservations. The only person in Rohit's family who seemed to understand was his brother in law, Ramesh (Anupam Kher--with hair!).


Maa seems to think choosing a wife should be akin to furniture shopping.



With all this negativity in the air from Rohit's family, you can almost smell disaster in the air. And of course, tragedy does strike. Rohit is left paralyzed, and Chandni powerless to do anything but love him. Of course, the pressures from his family and feelings of inadequacy related to his disability force Rohit to make the unthinkable decision: He must give up Chandni, freeing her from the burden he thinks he's become and allowing him to wallow in
bitterness. He breaks up with her coldly and abruptly (even painting over her photographs!), leaving her heartbroken and leaving me a weepy, mushy, mascara-racooned mess.

In happier times. How COULD you, Rohit?!?





Intermission goes by unannounced, and Chandni tries to be strong and pick up the pieces of her broken heart (she's stronger than I am at this point, because I still haven't stopped crying). She gets a job at a travel agency and guess who her boss is--Vinod Khanna (as Lalit)!! Things are looking better already. Rohit who?

Lalit, as Chandni discovers, comes across all business-like, but is really as soft as a grape on the inside. He's been nursing a broken heart himself, after losing the love of his life, Devika (Juhi Chawla looking deliciously seductive in a rain song--Go on and say it, Bollywood Fan), to some tragic illness we never know the name of. Poor Lalit, every time it rains he is reminded of his beloved, and since it rains a lot in this film, well, you can just imagine.



Meanwhile, it rains over by Rohit and he has a mental breakdown, realizing he has been a fool to let Chandni go (duh). I started crying again. As he washed the paint off Chandni's photographs, it felt like my heart was actually pumping out tears instead of blood, but I was loving every minute of it--yes, folks, this is the sort of emotional roller coaster ride I tune in for!



Soon Lalit (with the coaxing of his maa, Waheeda Rehman!) finds himself attracted to Chandni, and asks for her hand in marriage. Chandni accepts, and BAM!!! Guess who shows up again?

ROHIT!!!



What will Chandni do? I've taken you pretty far in the plot, but don't consider any of this spoiler material since its all spelled out pretty clearly on most DVD jackets (at least the ones I've seen, anyways). The real question remains: Who will Chandni choose? Sensitive, well-established Lalit (bonus: Waheeda as a mother in law who adores Chandni)? Or spontaneous, lively Rohit (evil mother in law included)? Who would you choose? If you haven't seen Chandni you should stop reading now, because I'm now going to reveal her decision:



***SPOILER!!!!!****

Of course, she chooses her true love, the one she's clearly loved from the very beginning of the film. This was all fine and dandy, and I even wanted things to end up this way, but two nagging thoughts kept this from becoming a perfect film for me. One, Rohit NEVER apologizes. Not once. Considering all the heartless things he said to her so stoically when he was dumping her, you'd think he'd have to beg and gravel for forgiveness. Instead, he prances into Chandni's apartment like a king, and gets all defensive and reverses the blame when he finds she's engaged to someone else. Red flags went up all over in my mind.

Secondly, what about poor Lalit? His last line in the entire film is just depressing. The least they could have done was killed him off so he could be reunited with Juhi. Geez.

****SPOILER END*****


Despite my qualms discussed in the Spoiler, I really did love this film. The music, the sarees (maybe even better than Sush's in Main Hoon Na) , Sridevi, and yes, the rain! Its definitely put Yash Chopra in my good graces again, though I still remain a bit skeptical about Lamhe and Kabhi Kabhie. Thoughts?

The Day Bollywood Got Even Sweeter...Qayamat Se Qayamat Tak


What, you mean Bollywood didn't always have the dynamic Aamir Khan and the lovely Juhi Chawla?

Nowadays, its hard to imagine Aamir Khan being in amateur--and even in his first leading role he is hardly that. Arguably one of the most gifted and powerful actors Indian cinema has ever seen, Aamir's success can be traced through more than two decades, from classics like Lagaan and Rang De Basanti to recent triumphs such as Taare Zameen Par and Ghajini. Yet it had to begin somewhere, and that somewhere was Qayamat Se Qayamat Tak--a story about first love caught up in a web of fueding families.

This film was recommended to me by The Bollywood Fan, and after realizing we both had yet to write about it, we decided to collaborate and compile a joint review; I knew I was in for a real treat--Writing with the big Aamir fan would add an entertaining yet informative spin to the review, as well as my viewing experience (not only that, but I'd get to hear him say "Haye Allah--Juhi Chawla!"). We talked about all of my questions (and then some)--What was this film's reception by its target audience when in came out back in 1988? What was the general response to Aamir and Juhi? Which songs were embraced? The Bollywood Fan has written his part to this review here.

On first glance, Qayamat Se Qayamat Tak seemed to be yet another young love story to emerge from the whole "DDLJ and HAHK Era", despite being released prior to those two films. However, after watching this I realized I was wrong--very, very wrong. QSQT is anything but "typical", espically for a Bollywood film. But then again, has Aamir Khan done anything typical, ever? This is one of those films that must be watched in its entiriety before you even begin to judge it. In other words, stick with it--You may think you've been down this road before in Bollywood, but rest assured, by the end you will see what separates QSQT from its counterparts.


The Story

Again, the story--on the surface, at least--is basic. Raj and Rashmi meet and unexpectedly fall in love, yet their families have been enemies for years. Raj's father, Dhanraj, even spent years in prison as a result of a tragic event related to this feud. And, yes,(following the stereotypical mold) Rashmi is already engaged to somebody else. Yet the film does such a good job of telling us this story that we don't seem to mind if we can guess how it will all turn out in the end (or will it?).

The Beginning

Unlike most films from this era (at least the ones I've seen anyways, Ahem, Hum Aapke Hain Kaun), QSQT does not drag in the beginning. Quite the contrary, the beginning was so strong and made such an impact that I instantly trusted its ability to entertain me for the next 2.5 hours. Those of you who have sat through an hour plus of boring dialouges and shoddy character development just to get to the good stuff in other Hindi films will truly appreciate this; QSQT gives the backstory to the feuding families in a way that gets to the point and yet is believable-- By the time the opening credits roll, we know why these guys don't like each other, and can even sympathize with both sides.

Aamir

Aamir Khan (as "Raj") makes his entrance to the film shortly after the backstory is told, in the vibrant song "Papa Kehte Hain"(Ironically enough, baby Imran Khan is seen first in the film as the young Raj). Babyfaced and charming, I saw Aamir in a whole new light here--I'd always found him attractive, sure, but in a sort of intelligent, smarty pants way. Here he's just a total heartthrob, plain and simple!



Aamir wears short-shorts!




But don't let Aamir's daisy dukes fool you--he was just as talented then as he is now. A natural screen presence, his Raj was the "perfect" hero; Sweet and senstive yet strong and protective. And although Aamir's talent was obvious to the viewer, it seemed somewhat unapparent to Aamir himself; A glimpse of a more naive version of the actor, perhaps, before he unevitably realized just how good he was (I'm not saying anything negative about the man--I'm just saying he didn't seem to have any idea how big he would become, and it was endearing to see him when he was somewhat "untouched" by fame).

Juhi (Haye-Allah!)

So I'd never considered myself a Juhi Chawla fan, and still don't, exactly, but...well, I can see why men all over were smitten with this actress after QSQT. Though her character annoyed me at first, there was something different and special about Rashmi which grew on me as the film went on. For one, she was kind of flighty, but as I got to know her, I realized this was genuine to her character and not just a ploy to look cute. Further, her love and devotion to Raj was adorable-As the Bollywood Fan pointed out, she won the hearts of many with her debut as a heroine.

Secondly, Rashmi's character seemed to break the conventional heroine mold I'd become accustomed to in Bollywood. You know, the one where the actress looks cute, flips her hair and lets her saree blow in the wind while the hero stalks her from behind the trees and pursues her with a song. In Bollywood (as I've known it to be so far, anyways) the hero practically worships the heroine, while she, in many cases, can't even stand the mere sight of him until he sings a song or two (See Kajol in DDLJ, Rani in Hum Tum, and Nargis in Shree 420 to name a few). Rashmi is sooo different. Although its Raj who notices her first, that's only because she's not paying attention. Once Rashmi lays eyes on Raj, its she who does the pursuing (and even follows him in the forest, signing a song that isn't subtitled, urgh!). There's a scene that makes me laugh out loud where Rashmi and Raj spend the night by the campfire--Rashmi makes it clear she would like Raj to sleep next to her, and is quite forward about it. After refusing, Raj literally turns his back on her and goes to sleep!

Raj turns his back on Rashmi...




Rejected!



The Chemistry

Once Raj stops putting up a wall and admits his true feelings for Rashmi, sparks fly. There's a lot of chemistry between these two, though in a pretty subtle way (think HAHK and DDLJ again). But that's what makes it so sweet--Every time Raj would blow a kiss or flash a dazzling smile at his love, my heart would flutter. I'd love to see these two paired up now, as they're both older and it would be interesting to see how they'd match up today.

The Music

The music was another strength of the film. Though the picturizations were kept fairly simple, they were also woven into the story so well that I can remember each one vividly. Aamir's song entrance was a favorite (and as noted in part one of this review, his real-life wife at the time even makes in appearance), and both of the love songs between Aamir and Juhi were touching (I especially liked the one at the end). The only one I didn't really care for was the song where Rashmi follows Raj through the forest--her facial expressions bothered me.

!!!SPOILER ALERT!!!!!SPOILER ALERT!!!!!

The Ending

Like the beginning, the ending to Qayamat Se Qayamat Tak leaves an unshakable impact. I was completely and totally shocked by the turn of events, and sat like a statue staring at the screen long after the last credits rolled. The Bollywood Fan and I discussed how an audience that immersed itself in rainbow and sunshine endings could have possibly reacted to such a tragic climax, and agreed that its uncommon ending is what made it memorable. So, while I wished things would have turned out differently for Raj and Rashimi, I understood and appreciated the filmmaker's choice. Had it turned out any other way, I may have been less moved by the film as a whole.

***SPOILER END***

A fitting film for the starring debut of a legend, Qayamat Se Qayamat Tak must not be missed by any Hindi film fan. Thank you to Bollywood Fan for recommending and sharing this experience with me!

Salaam-E-Ishq

I'm glad I watched Salaam-E-Ishq.

No, really I am! Yes, it was about two and a half hours longer than it should have been. Yes, it was about six couples whose stories I didn't care about as much as I should have. But I saw it fairly early in my Bollywood watching days, and it gave me a huge bonus incentive-an introduction to 13 Bollywood actors I had previously never seen before.

I guess the movie was so-so. It had some cool moments(the title song) and some real yawners(most of Salman Khan's scenes). I watched it once by myself and then showed it to Ceci(Ok,and once with my mom and bro--so three times). It was way better when you had someone to laugh at the silly parts with you and join you in drooling over John Abraham.

But, sadly, the highlight for me of this film was just getting familiarized with the stars in it... So, here's a few of my first impressions...

John Abraham-Hey, isn't this the guy from "Where's the Party Tonight?" I know I've seen him before, and clearly it wasn't in real life(I wouldn't be that lucky).

Vidya Balan-She acted like her doting husband was an annoyance, even before her accident. The snottier she was to him, the more he chased after her. Hmm. Maybe I could learn a few things from Tehzeeb.

Priyanka Chopra-I don't mean to sound hung up on physical beauty here but how can you not mention beauty in the same sentence describing Priyanka Chopra? Her character was stuck up in the movie, but I hear a lot of positive things about her in real life. If she's as sweet as she seems on the inside, then some women really do have it all!

Salman Khan-I knew he was a big name in Bollywood, but I was unimpressed. He and Priyanka didn't really have a well written story, though. At least Priyanka got me to laugh a few times. Salman just reminded me of an obsessive fan/stalker.

Govinda-While I didn't see any real chemistry between him and his other half Stephanie in the beginning, by the end of the film this pair was hands-down my fave couple! Really funny and really sweet...the whole movie could have been about them(and a lot shorter) and I would have been happy.

Shannon Esrechowitz-I wonder how she got into this movie. I'm not being sarcastic, I really want to know! I mean, does she love Bollywood? Was she approached? Did her agent set it up? I liked her, but I just was curious. Anyways, they made sure to pick a girl that looked good in liquid eyeliner. They made sure.

Akshaye Khanna-He reminds me of a young Robert de Niro...And I thought his commitment phobia story was funny, a nice comic relief from some of the boring scenes. Hooray for happy endings, but he totally deserved that blow from Ayesia Takia! Speaking of...

Ayesia Takia-She seemed sweet here, but didn't have a big enough role to really show what she can do. A movie like Dor shows she is capable of much, much more if given the opportunity.

Anil Kapoor-I can't judge him from this film. He played a man going through a mid-life crisis pretty believably, so I guess that was the point. But given that I now know he's been around for awhile, I'd like to see one of his meatier roles before I judge him.

Juhi Chawla-Same as above. But why would anybody want to cheat on her? And did anybody else think the "other woman" kind of looked like Juhi anyways?

Sohail Khan/Isha Koppikar-I would sacrifice the few laughs this couple gave me to cut them from the film. Nothing personal...but in a movie that stretches almost four hours long, do you really need a "filler"?

Some extra points:

*Correct me if I'm wrong, but isn't this the same guy who directed Kal Ho Naa Ho? I just don't see it...But I guess he didn't write the scripts, so whatever...

*Why isn't "Babuji Deere Chalna" on the soundtrack? I know its an older song remixed...Was it a copyright thing?

*When I first saw the scene where Kkamini lists the actresses, I didn't know who any of them were...Now I know almost all! I'm so happy!

Text (c) 2007 Nida Nazir Bitten By Bollywood
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