Showing posts with label John Abraham. Show all posts
Showing posts with label John Abraham. Show all posts

Dostana, The Three's Company of Bollywood


Say what you will about Dostana, but one thing's for certain...The entire cast had a blast filming this!!!

And why wouldn't they? Abhishek, comfortable with his own sexuality (Here's one man who doesn't care what anybody thinks about this film or him in it: He's laughing all the way home to the "Most Beautiful Woman In the World"), had no qualms about getting cozy with John Abraham. John, looking better than ever (Don't worry, we'll talk more about this later), seemed just as relaxed, soaring above my expectations for him in a comedic role. And Priyanka, though still lacking the fire her good looks command, had every reason to smile through the entire 142 minutes of the film--I'd be smiling too if I had Abhishek on my left and John on my right! Add to the mix Kirron Kher in a perfectly cast role (She's always perfectly cast as a mother, I know, but remarkably so for this one), normally boring Bobby Deol showing he does have a sense of humor, and several cute filmi goodies scattered about, and you've got a pretty fun timepass.



If you're not familiar with Dostana's plot, let me fill you in (Because I know you've seen the promos). Sameer (Abhishek Bachchan) is a male nurse (what is it about a man having this profession that guarantees instant snickers and giggles? Its 2009, for crying out loud!). Kunal (John Abraham) is a photographer. Both appear to be enjoying bachelorhood--especially Kunal (Surprised? Didn't think so). After a chance meeting,Sameer and Kunal continue to bump into one another, with crazy coincidences landing them both in line to rent dual rooms in a beautiful Miami apartment. Because the third room is occupied by the her niece, Neha, the landlord announces she will only accept women tenants. Naturally, Kunal and Sameer concoct an outlandish plan to get her to reconsider. They decide to pose as a gay couple, in hopes of convincing the landlord that they will not be a threat to her niece.

Seem farfetched? Well, it sort of is. A lot of this stuff happens rather quickly and unbelievably. I mean, yeah, its a great apartment, but who would go along with a lie that requires so much work to maintain...just for a stupid room. How many apartments are there in Miami? Come on. Remember, the boys decide on this plan before they even lay eyes on Neha. And, of course, once they do...



Well, lets just say its Priyanka Chopra. Obivously, now the guys are hooked...and the games begin!



The rest of the film is a good time, though not as funny as I expected. I mean, the guys did a grrreat job, but I think the screenwriters could have used their hilarious chemistry more. Abhishek and John appeared to really enjoy working with one another, and I'm sure they had tons of fun on the set. As far as I know, this was a very different role for both of them, one they pulled off effortlessly. As a matter of fact, they seemed capable of pushing the envelope even further for the sake of a few good laughs, but for some reason the film held out. I wished we would have gotten more scenes with the two of them clowning around...Not to mention a complete song featuring them dancing in those black tuxes. Oh, well. I can't really complain too much because the film still worked, mostly thanks to them.



Abhishek, who's impressed me before as a funny guy, was missing some of the goofiness he had in Bunty Aur Babli or Jhoom Barabar Jhoom. But that wasn't his fault--his character was a little on the low key side and not written to be as far out as Bunty or Rishi in those films. Still, he shined most here when sharing screentime with John.



And, of course, watching John onscreen was like being fed eye candy through an IV. No question about it--he brought the Pretty Boy back! I really have to say, this performance was the best I've seen from him. His looks fit the part, he seemed to be enjoying himself, and he was actually good at being funny! Looks like he's found his niche...Playboy bachelor who lies about his sexuality...Hmm, sounds like a few guys I know!

Piggy Chops (A name I hate for her) turned out another average performance as Neha, which was disappointing (C'mon, Priyanka, let's kick it in gear-you're one of the hottest chicks in Bollywood!). I think the only performance of hers I've been semi-satisfied with was her role in Salaam-E-Ishq. I don't mean to be hard on the poor girl, but geez, I've seen her exude more personality on a Koffee with Karan episode! But, to her credit, she didn't do an awful job and was at her very best when onscreen with John and Abhishek (Although, I can't blame her--I'd be happiest when working with them, too!). Still, I feel like I always get less than I expect from her, and its frustrating--can't help but wonder what Preity Zinta would have been like in this role instead. Oh, well...I just bought Fashion recently so here's hoping.



I'm sure you can guess that both Kunal and Sameer fall in love with Neha (Obviously a problem since she thinks they're both gay). Add to the mix Neha's boss (Bobby Deol) who also has the hots for her, and you've got a nice little quadrangle that could shake this happy household to the core.

In a quest to win Neha's heart, Sameer and Kunal simultaneusly try to woo her with little romantic gestures and even each take her out on a "date". Of course, since the three of them have become the best of friends, nothing about the guys' attention feels unnatural to Neha, and she goes along with it all, never suspecting either of them could actually be straight--much less in love with her.

Sameer rents out a carnival for his date. The two spend the evening laughing and frolicking on the rides like children, and he closes the night with a gift: A scrapbook he's put together in honor of their friendship. Oddly enough, Kunal is absent from all of the photos! Wouldn't that have been a red flag for Neha? Oh, I know he's the photographer, but still...they make tripods for that stuff. Anyways, the point is, the two had zero spark together, which I found surprising. I'd heard once that Abhishek had a real life crush on Priyanka in the past, so I was hoping for some traces of that to show. I mean, I know he's married now, but c'mon, guys, work is work! Give us something that would make Ash green with envy! Ok, I'm totally kidding, but seriously, these two had nothing. Maybe it was the annoyingly bland English tune playing in the background, but...let's just say I have no plans to see Drona.



Onto Kunal and Neha's date. First of all, whether he was straight or not, a date with John Abraham alone would make me swoon. But a candelight dinner followed by a widescreen viewing of "Kuch Kuch Hota Hai"? Are you serious??!!Marry me now, Kunal!!



Not to mention the fact that Kunal and Neha reenacted my cherished gazebo scene. Aww...It didn't matter that Priyanka lacked Kajol's expressiveness or that Kunal wasn't as charasmatic as SRK. It wasn't meant to be as good as the original, anyways--this was all just for fun! And I, for one, welcomed the inclusion! Kjo, you can mention KKHH as much as you want--yes, its a little self-indulgent, but I don't mind(Speaking of which, there's also a reference to "Kabhi Khushi Kabhie Gham" in the film that had me laughing out loud)!



I can't tell you who I was rooting for at this point. I mean, the film didn't really show a preference for Neha/Sameer or Neha/Kunal so I honestly didn't know who she would end up with--if anyone. Of course, the real chemistry of the film belonged to Kunal and Sameer, but I'll admit that I still cared about Neha's fate, too. Would she fall for Sameer's sweetness? Or Kunal's charm? Or would it be a draw and go to Bobby Deol's dry character? You'll have to watch Dostana to find out!

I do have to mention, however, the two glaring problems in the film. First of all, the bland music--Dostana's tunes lacked the catchiness and originality that we can usually expect from a Karan Johar film. Instead, we got mediocre songs with boring picturizations. The best the film had to offer was the semi-catchy opening tune starring Shilpa Shetty in a smoking hot cameo (I know I've questioned this woman's sex appeal before, and I hereby take it all back--she's got it going on!), and an extremely dance-able closing song which I've included
below.



Ahh, this really was a great song...Now here's the goofiness I longed to see in Abhishek during the film! And Priyanka's working it, looking better than she did in any of the other songs. And John...well, John's just looking hot. Again.

The second major complaint was the gay stereotypes the film seems to embrace, somewhat offensively. I took this with a grain of salt--Seriously, can we expect anything less than ignorance from Karan Johar? The man has never been the most tactful on his own show...why would he start now? But it was pretty irritating, in particular the way the writer's depicted "every" gay man as walking and speaking a certain way. Also, the assumption that "every" gay man would automatically be attracted to "every" other gay man bugged me. If you find any of this directly offensive, I would either advise you to stay away from Dostana or to consider the source.



Aside from its missteps, I did enjoy watching this. I don't think I've ever labeled a film as "a decent timepass" before. But if there's one that deserves the title, it's definitely Dostana. Though its not nearly as good as any of the other Karan Johar films I've seen (yep, I'll admit that I do like most of them), its still worth the time just to see John, Abhishek, and even Priyanka having a ball! Go into it with little expectations and you'll likely have some fun, too!

Water

Any movie with a topic like this is bound to be disturbing. It's just a given. I knew I was going to sit through Deepa Mehta's portrayal of a widows' colony in 1938 India and want to throw things at my tv screen. I knew I was going to get so deeply invested in the characters that a knot would form in the pit of my stomach, making me want to stop watching, yet keeping me glued to the screen at the very same time.


Water was all that and then some. Heartbreaking, yes, but also very engrossing. It's the type of film I won't soon forget, both because of the eye-opening message and the compelling way the story was told. I've seen other movies depict oppression or inhumane treatment, with nothing but tragedy after tragedy occurring to the bitter end. Those movies left me feeling as if the characters would have been better off if I'd never tuned in, since the minute I started watching things went from bad to worse.

I'm not saying these films don't have a right to be this way--most of the time they are based on history or cruel realities in our world that don't need to be sugarcoated. But there is another alternative, and Deepa Mehta found it in Water. In this film, the characters did experience hardships one after another, but Mehta made the wise choice of giving us a glimmer of hope at the end, right when we need it the most. The burst of love by two of the main characters for Chuyia's well being in the final scene sealed the movie as being more than just another heart sinker.

Perhaps it was because she reminded me of my own daughter, but Sarala's performance as Chuyia was my favorite by far. From the opening scene I wanted to swoop in and carry this child away from her devastating life.

Lisa Ray turns out an exquisite performance as Kalyani, but John Abraham could have emoted more as Narayan. Two glaring examples of the latter (***that contain spoilers***)were 1)John's poor display of what was supposed to be grief in the scene by the river after Kalyani's death and 2)the blank expression on John's face when Chuyia is handed to him on Gandhi's train at the end. The bright note to this was that John's character was extremely likable and, of course, hopelessly dreamy. And I am happy to say that in the more recent Salaam-E-Ishq, he appears to have improved somewhat.

There were also many relevant references to Gandhi in Water. After recently watching the Benjamin Kingsley movie and reading a book on Gandhi's life, I'm struck once again on the impact this man made on India. He used the simple concept of love to tackle some of the world's most controversial issues. Because of the effects his teachings had on his followers, he reshaped the thoughts of many. Would a man like John Abraham's Narayan have taken the stance he did on the treatment of widows if not influenced by a man like Gandhi?


Because of Water's subject, I expected to have all of these reactions. I did not, however, expect it to be such a well done film, with deeply developed characters and an ending that shows the difference a little bit of love can make. This film will stick with me for a very long time. Earth and Fire are next.

Text (c) 2008 Nida Nazir Bitten By Bollywood

Salaam-E-Ishq

I'm glad I watched Salaam-E-Ishq.

No, really I am! Yes, it was about two and a half hours longer than it should have been. Yes, it was about six couples whose stories I didn't care about as much as I should have. But I saw it fairly early in my Bollywood watching days, and it gave me a huge bonus incentive-an introduction to 13 Bollywood actors I had previously never seen before.

I guess the movie was so-so. It had some cool moments(the title song) and some real yawners(most of Salman Khan's scenes). I watched it once by myself and then showed it to Ceci(Ok,and once with my mom and bro--so three times). It was way better when you had someone to laugh at the silly parts with you and join you in drooling over John Abraham.

But, sadly, the highlight for me of this film was just getting familiarized with the stars in it... So, here's a few of my first impressions...

John Abraham-Hey, isn't this the guy from "Where's the Party Tonight?" I know I've seen him before, and clearly it wasn't in real life(I wouldn't be that lucky).

Vidya Balan-She acted like her doting husband was an annoyance, even before her accident. The snottier she was to him, the more he chased after her. Hmm. Maybe I could learn a few things from Tehzeeb.

Priyanka Chopra-I don't mean to sound hung up on physical beauty here but how can you not mention beauty in the same sentence describing Priyanka Chopra? Her character was stuck up in the movie, but I hear a lot of positive things about her in real life. If she's as sweet as she seems on the inside, then some women really do have it all!

Salman Khan-I knew he was a big name in Bollywood, but I was unimpressed. He and Priyanka didn't really have a well written story, though. At least Priyanka got me to laugh a few times. Salman just reminded me of an obsessive fan/stalker.

Govinda-While I didn't see any real chemistry between him and his other half Stephanie in the beginning, by the end of the film this pair was hands-down my fave couple! Really funny and really sweet...the whole movie could have been about them(and a lot shorter) and I would have been happy.

Shannon Esrechowitz-I wonder how she got into this movie. I'm not being sarcastic, I really want to know! I mean, does she love Bollywood? Was she approached? Did her agent set it up? I liked her, but I just was curious. Anyways, they made sure to pick a girl that looked good in liquid eyeliner. They made sure.

Akshaye Khanna-He reminds me of a young Robert de Niro...And I thought his commitment phobia story was funny, a nice comic relief from some of the boring scenes. Hooray for happy endings, but he totally deserved that blow from Ayesia Takia! Speaking of...

Ayesia Takia-She seemed sweet here, but didn't have a big enough role to really show what she can do. A movie like Dor shows she is capable of much, much more if given the opportunity.

Anil Kapoor-I can't judge him from this film. He played a man going through a mid-life crisis pretty believably, so I guess that was the point. But given that I now know he's been around for awhile, I'd like to see one of his meatier roles before I judge him.

Juhi Chawla-Same as above. But why would anybody want to cheat on her? And did anybody else think the "other woman" kind of looked like Juhi anyways?

Sohail Khan/Isha Koppikar-I would sacrifice the few laughs this couple gave me to cut them from the film. Nothing personal...but in a movie that stretches almost four hours long, do you really need a "filler"?

Some extra points:

*Correct me if I'm wrong, but isn't this the same guy who directed Kal Ho Naa Ho? I just don't see it...But I guess he didn't write the scripts, so whatever...

*Why isn't "Babuji Deere Chalna" on the soundtrack? I know its an older song remixed...Was it a copyright thing?

*When I first saw the scene where Kkamini lists the actresses, I didn't know who any of them were...Now I know almost all! I'm so happy!

Text (c) 2007 Nida Nazir Bitten By Bollywood
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