Jaane Tu...Ya Jaane Na!

It wasn't hard for me to like Jaane Tu...Ya Jaane Na!.

There was so much good stuff in this film. Imran. Genelia. The cameos. The music. The "young love" factor. How could I resist?

There's been a lot of great reviews on JTYJN lately; I struggled for awhile, trying to come up with something fresh and interesting to say. But what it boils down to is this: Jaane Tu...Ya Jaane Na isn't going to knock your socks off with its originality or depth (at least not for someone that's seen so many similar things in commercial Hollywood). It's just plain ol' puppy love fun, and its strength lies in its abilty to be so good at being so simple.



Ahh, I've said it before, but there's something about "teen love"...it just takes me back! JTYJN takes place immediately following college graduation, so the characters technically aren't teenagers at all, but it has that whole youthful vibe nonetheless. And the hero, cutie pie Imran Khan, actually reminded me of my own high school crush...sigh!



The film follows a group of friends that includes best buds Jai (Imran Khan) and Aditi (Genelia). From the beginning, its implied that the two are in love, but as the film unfolds, we discover they're "just friends". However, after being questioned by Aditi's parents, they start to date other people, and their true feelings begin to surface.



Like I said, the story's not hard to predict, nor does it get much more complicated than that. But the performances and characters were so well developed that nothing else seemed to matter. As Ajnabi said in her review, the dialouges are so good you feel like you're actually there, sitting in on the conversations. And that's what I love about "feel good" films, something JTYJN undoubtedly is--You can watch again and again just to relive the moments with the characters, to spend time in "their world". Those are the films I tend to repeat, the timeless classics I pop in whenever I want to smile.

It doesn't take a rocket scientist to tell that Imran and Genelia are here to stay--and I'm all for seeing more of them! Imran has all the qualities of a chocolate filmi hero: Good looks, connections in the industry, and acting chops to boot (Okay, not all filmi heros have that last one, but Imran thankfully does). Like Ranbir Kapoor, he's a natural, though in a more understated way. As Filmigirl would say, its time for the current Bollywood "hero-uncles" to make room!



In my Bommarillu post, I said I prefered Genelia's performance here as Aditi to her character as Hasini in that film. I'm not sure about that now--I truly loved them both. But I will say this--I appreciated Genelia's ability to add a different spin in JTYJN to a character that was, in some ways, similar to Hasini. Both were of similar age, and both required the cutesy spunk that Genelia plays so well. She could have easily slipped into "Hasini-mode" several times during JTYJN--and consequently, would have put herself at risk of being typecast. While that still may happen considering Genelia does have some distinct characteristics, I admired her for playing Aditi as differently as she did. Here, she was much more quiet, less fidgety, and even a bit spoiled--quite the opposite of the lovable, content Hasini. To add to her appeal, Genelia has an exotic look that makes her beauty unique. I'm guessing this can only help secure her spot in the industry--I can't think of any of the present-day heroines that look anything like her, can you?



The supporting cast was loads of fun, including cameos galore! My favorite?Naseeruddin Shah's role as Imran's deceased father, of course! He appeared only to bicker with Imran's mother, speaking to her through the framed portrait that hung on the living room wall. What made this cameo even better was the fact that Imran's mother was played by Naseer's real-life wife, Ratna Pathak Shah!!!



Seriously, I wish I had a photograph like this one of Naseeruddin Shah that talked to me...It would make life a lot more interesting, wouldn't it?:)

But wait, it gets even better...Pratheek Babbar, the son of Smita Patil and Raj Babbar, also had a cameo as Aditi's younger brother, Amit--And he definitely inherited his mother's good looks!



Not to mention the fact that he was perfectly cast as Genelia's brother--and did a fine job in his small role. Hope to see more of him!

While I didn't recognize Aditi's parents, their screen names were "Peachy" and "Pumpkin". Now why couldn't those be my parents' names?



As I'm sure you've guessed, Aditi and Jai both find potential love interests early on in the film. Jai's girlfriend, Meghna (played by Manjari Phandis) was an angelic beauty that almost made me root for her and Jai, despite the whole Aditi factor (almost). But Aditi's boyfriend, Sushant (Ayaz Khan) was a beast...so many times in the film I just wanted to give him a good kick in the pants!



The rest of Jai's and Aditi's friends were funloving and added to the delight of the film. I especially liked Sugandha Garg as Shaleen, one of the most spunky, colorful characters I've seen a female get to play in Bollywood. Shaleen was feisty when necessary, played the guitar, and even danced provocatively with another female...Even though Sungandha had a small role, this has got to be a sign that female roles in Indian cinema are progressively getting more interesting, doesn't it?



Other cameos include Kitu Gadwani, Sohail Khan, Rajat Kapoor, and Paresh Rawal. I'm sure there were some that I didn't catch, but you get the point, right? JTYJN was such a good time!

The music was composed by A.R. Rahman, so of course that was a no brainer. I knew I was going to fall in love with the soundtrack before the film even began! With titles like "Pappu Can't Dance", the music matched the vivacity of the movie perfectly. How does Rahman do it? He can create a sweeping melody fit for an epic (like most of the songs in the Jodhaa-Akbar soundtrack), and then turn around and give us something as hip and contemporary as the music of JTYJN. This guy rocks--no wonder he had such a great year!

Producer Aamir Khan adds another gold star to his list of filmi acheivements. What amazes me most about this one is it's the exact opposite of something I would have expected him to produce--I always see Aamir as being associated with films that make a political or social comment of some sort. But the Amazing Aamir proves that he can do good, clean fun just as well(if not better) as, say, Dharma Productions can. Bravo!

And, finally, as most of you know, Imran Khan also happens to be Aamir's nephew. As if he wasn't adorable enough in Jaane Tu...Ya Jaane Na!, I stumbled upon this little Kodak moment online one day and couldn't wait to share it with you all...



Aww!Don't you just want to pinch those cheeks?

For Those Who Missed Me...Main Hoon Na!

One of the best things about finishing this semester is returing to Bitten By Bollywood! It's been a long three months...Resisting the urge to type up 10 paragraphs on how much I loved Main Hoon Na instead of cracking open my nursing textbook was sheer agony!

But....Main Hoon Na!!!

I saw this one twice in the past couple of months. It literally saved my semester, because with all the homework I had, there were a few times where I just had to get away. And what a fun place to escape to--Main Hoon Na was everything snappy and sweet and Shahrukhy that I love about B-wood. Farah Khan really gives you your money's worth--you get action (Shahrukh in his Mission Impossible gear in the first sequence was hot), a creepy villain(Suniel Shetty, you scare me), some good family stuff (nothing boring), catchy songs (I can't even pick a favorite), comedy (Farah, you have a great sense of humor), and Sushmita Sen's gorgeous saris (Which we'll take a peek at later!).



The plot outline really doesn't do the movie justice, so I'll just skim it over before we get into the good stuff. Major Ram Prasad Sharma (Shahrukh Khan) goes undercover at a university to protect the General's daughter(Amrita Rao) from the wrath of the enemy, a terrorist named Raghavan (Suniel Shetty). At this university Major Ram also finds his long lost brother (Zayed Khan) and meets a beautiful teacher whom he falls for instantly (Sushmita Sen).



What is it about high school and college stories that I so adore? Why is it always so appealing to watch a movie or a soap opera that centers around teenagers and young adults? There's just something about them that takes me back to that period of my life, from my first crush to being the new kid, from the stress of the school lunch room to the need for peer acceptance. Main Hoon Na, while set in a university, still has that high school vibe. There's a zany principal and wacky teachers, and you meet just the right amount of students to make you feel at home when the school dance scene rolls around. Amrita Rao's character, Sanjana, even gets a makeover that transforms her from the girl next door to a polished beauty (Although I thought she looked great before the transformation, I still love makeover sequences. Even though, as Beth once said, I feel a twinge of guilt for it-I hate to think beauty has to conform to a certain image, but gosh, its still fun to watch! )



There are a lot of relationships in the film, and they all worked for me. Shahrukh and Naseeruddin Shah were surprisingly believable as father and son. Amrita Rao's crush on Zayed Khan was cute and sort of reminiscent of Anjali and Rahul of Kuch Kuch Hota Hai. Shahrukh and Sushmita's romance, while a very minor part of the film, added just the right amount of color to the story (Literally--check out the vibrant "Tumhe Jo Maine Dekha"). But the most memorable relationship in Main Hoon Na was the touching reunion of brothers Major Ram and Lucky (Zayed Khan's character). These two worked really well together here, and Farah Khan took great care in developing little details to accent their bond, such as their signature gesture of running their hand around their head (reprised in Zayed's Om Shanti Om cameo). Kirron Kher as Lucky's mother adds even more emotion and depth in some of the pivotal scenes towards the end, making this angle of the story the heart of Main Hoon Na.



As I mentioned above, Suniel Shetty is one scary villain. If I ever make a Bollywood film of my own, I'd cast him as the bad guy in a heartbeat. He had the same effect on me as Umrao Jaan's sleazeball regular customer...the man just looks shady. Yet its the funniest thing...when I see him in press photos or cameos, I'm surprisingly attracted to him. There's something about the way he carries himself, or the way he dresses that makes me forget all about the creeps he plays. Which, I suppose, is a complement to his performances.



And where has Zayed Khan been all my life? I really enjoyed him as Lucky--he's like John Abraham with personality. It could have been the storyline, though. The idea of two long lost brothers reuniting has sentimental value to me, as I had a similar experience when meeting my own little sister. She's spunky and hip and I'm the not-so-cool big sister, but we click despite the age difference. As a matter of fact, she's totally the Lucky and I'm totally the Major Ram--I'm always grabbing her off of rooftops!

Amirta Rao showed some more life than in her refined performance as the perfect Ponam in Vivah. Her relationship with Lucky, while again not the the focal point of the film, made for a refreshing couple to root for.



I'd heard so much about Sushmita Sen but had never seen her in a movie. Now I can see why her name remains in the media and blogs, despite her lack of recent film releases. She's just so beautiful, classy, and even perfect for comedy (as she proved in some of her scenes with Shahrukh).Her role in Main Hoon Na was relatively small, but she made a good first impression on me--it looked like she really had fun with it.

Naseeruddin Shah and Kirron Kher couldn't have been better cast--although again, they didn't have huge roles. They just added the right touches to an already fantastic product.

As for Shahrukh, this has got to be one of my favorite characters I've seen him as. He wasn't too over the top, he wasn't too aggressive, and he looked mighty fine. And his hair was just the way I like it--Not to big, not too long, not a mullet, and no mustache. The only thing I could find fault in was his bell bottoms and vest...a little too dorky for me (Especially after seeing him all cool in his action sequences). Yet it did make his character more endearing, I suppose.



I know I said I couldn't pick a favorite song, but...can they all be my favorites? Seriously, Farah Khan's earned my trust in the song selection department, because just as in Om Shanti Om, I enjoyed every single one. Even "Tumse Milke Dil Ka", the song that has Shahrukh lip-syncing the lamest phrase ever--"Like that--Check that--Wicked!" But if I had to pick an absolute favorite, it would probably be "Tumhe Jo Maine Dekha", a song I appreciated more when I listened to it on my Ipod...its picturization was so vibrant that I didn't notice the music had just as much color.



Which brings me to Sushmita's saris. Now, I've never worn a sari before, but after seeing some of Miss Chandni's, I really want one. They were so pretty...and different. Let's close this post with a tribute to them!



Did you notice her bookcover matches the sari? Yep, most of them have matching book covers.Really.










And my absolute favorite...








Text © Nida Nazir 2008

Umrao Jaan (starring Rekha)

Umrao Jaan was one of the first Bollywood movies I'd seen, so I decided to revisit it the other day to see if my opinion had changed a year (and several Bollywood films) later.

Two things came out of this experience. First, I realized I didn't remember much about it all, because I sort of felt like I was viewing it for the first time. Second, I actually enjoyed and appreciated the film much more.

During my initial viewing of Umrao Jaan, I lost interest towards the middle of the movie. Not so this time. In fact, I was quite absorbed in Umrao's woeful life, from beginning to end. I don't know, maybe I wasn't used to the length of a Bollywood movie back then, because this time I actually thought the movie flowed together pretty well...the script stuck to the story and the ending wasn't dragged out. That's something to applaud in Bollywood!

And although I must have thought Rekha was a natural as Umrao Jaan, this time I was actually mesmerized by her performance. Technically, she's not one of my favorite actresses, but I definately have a girl-crush on her! She was Umrao Jaan...Every bat of her long black eyelashes, every alluring glance, every purse of her ruby lips...she had it down to a science. Rekha made the perfect courtesan as she bewitched men with her charm, drawing them deep into her web of seduction.

Naweb Sultan illustrates this for us with this smitten stare...



Wow, look at the intensity in his left eye! How could Umrao resist?

But all jokes aside, Farooq Shaikh portrayed Sultan appropriately. He was refined and composed, yet had a weakness for Umrao he was unable to shake. His role was minor in comparison to Rekha's, but his entrance in the film was a relief because I was beginning to fear her love interest would end up being Naseeruddin Shah's annoying character. And thank God it wasn't.

Besides the performances, I also couldn't resist taking a bunch of screenshots for this blog's banner...there's just something about the look of the film. So classic yet not forced. I could watch the movie just for the visuals alone.

I'm aware that Umrao Jaan's music is considered timeless in Bollywood. Since I don't speak Hindi, I have no right to argue, but I really only enjoyed them because of Rekha's dance moves.

Poor, poor Umrao Jaan. She had such a tragic and lonely life, and my heart just bled for her. Yet her character seemed so human to me because she was longing for love more than anything else. I'm so glad I decided to watch her story again, because I literally saw it in a whole new light. Note to Bollywood: Give me more stories with a female at the center!

Text © Copyright 2008 Nida Nazir
Bitten By Bollywood